|Melanie Archer inspects work by Maria Diaz at the National Museum. |
Photo by Andre Bagoo.
In this PLEASURE PODCAST // I'm joined by designer, art critic and publisher Melanie Archer as we take a look at the University of the West Indies (UWI)'s Visual Arts Degree Show 2017 which was staged at the National Museum from April 12 to May 6. It was the second year in a row the annual show of student work was held at the Museum.
A list of those featured in the show this year includes: Reanna Ali, Naqiyah Assin, Khaffi Beckles, Nikeisha Claxton, Maria Diaz, Virginia D'Ornellas, Lendel Fraser, Anesha Garcia, Shane Mohammed, Khylah Mykoo-Garcia, Kavisha Peru, Shantee Rajkumar, Joy Rajnauth, Christopher Ross-Dick, Ciele Williams (fine arts); and Alejandro Ali, Maryssa Beckford, Jade Bridgemohan, Shayna Karim, Dhillon Khan, Camille Parris, Anna Power, Jerrell Riley, Amrika Sampath, and Amaara White (design).
In this podcast we examine logistical issues with the show and focus on work by Diaz, Mohammed and Fraser who all startle with spectral examinations of the human body whether through haunting sculptures, claustrophobic collections of artefacts, or micro-landscapes of skin.
Because so many artists were featured in the show, it was impossible to cover every single piece. So be sure dear listeners to add your two cents and to let us know what you thought in the comments section below.
You can also find out more about UWI's Visual Arts program here, as well as its Department of Creative and Festival Arts here.
This podcast was recorded just before Archer launched a campaign with Mariel Brown to fund a publishing project, A - Z of Caribbean Art. Find out more here. And while you're at it check out Melanie's great website here.
|Maria Diaz's haunting work photographed by Melanie Archer|
|Inside Shane Mohammed's assemblages|
|Until the next despatch!|