art in all its forms

art in all its forms

2/18/13

Neither here nor there

Installation, Eastern Main Road, St. Joseph, Trinidad. 2013








"ALL OVER Trinidad and Tobago, strange sculptures are appearing. Small, angular and at odds with the shapes and geometry of things around them, they look like alien sand-castles beamed down from a space-ship. On the Brian Lara Promenade in the capital, Port of Spain; around the scenic Queen’s Park Savannah; along the busy liming spot of Ariapita Avenue; on an island in the middle of a busy main road or camouflaged on a non-descript pavement that could be anywhere on the island, they provoke stares and wonder. What are they? Where did they come from? Who put them there?

"These objects seem to materialize overnight. Though they look like little sand-castles, the sculptures are made out of grey board, wire, fiber rods, and duct tape. Some are covered with bond paper and then sand is stuck on their surface using wood glue. Beneath their apparently casual incongruence, then, is a careful deliberation. This is the work of the collaboration known as Pinky y Emigrante: artists Alicia Milne and Luis Vasquez La Roche..."

-From an essay on the collective known as Pinky y Emigrante (P&E) at the ARC website. P&E is a collaboration featuring  Alicia Milne and Luis Vasquez La Roche, with whom I recently collaborated with for an e-chapbook. READ the full essay here.

P&E will talk about their work at Alice Yard this Thursday. FIND out more here.

2/2/13

Luis' experiment


FIND out more here.

Gerard Gaskin Wins CDS/Honickman First Book Prize

Backstage at the Evisu Ball, Manhattan, 2010. Photograph by Gerard H. Gaskin.

READ about it here.

1/27/13

Film review: Zero Dark Thirty


The central achievement of Zero Dark Thirty is that it manages to be an effective thriller, even though we all have a sense of what the ending is going to be.

Like The Hurt Locker - which must be regarded as this film's logical companion piece - Kathryn Bigelow's thriller seeks to approach the war on terror from the perspective of the human characters on the ground fighting it. This time around, her focus is on an intelligence agent, Maya, who, like the Jeremy Renner bomb expert in the The Hurt Locker, internalises pain and her own mysterious circumstances under a kind of steely, relentless ambition to do the job no matter what. Only at the end is there some kind of release, but we never get close enough to understand what else the ambition may stand for or whether it stands for anything at all besides a purity of devotion; a single-minded integrity.

Once more, there are some excellent set-pieces where the suspense is almost unbearable. A key operation to lure a potentially invaluable source in the hunt to kill Osama Bin Laden turns out to involve incredible risks on the part of many involved; there is much danger lurking in public places where agents search for clues; homes are attacked; there are scenes of torture.

Speaking of torture, there have been claims that the film glorifies torture as a method of getting valuable information. I disagree. The film has no opinion: it simply shows an account of what it says happened and leaves the audience to judge the moral issues involved. This is also the approach to the final, nail-bitingly suspenseful scene at Abbottabad. And, ultimately, this is the film's approach to its central character who at times seems to over-step lines in a manner that sometimes raises questions about whether or not she can be trusted. Something of Claire Danes agent in the TV series Homeland seems to inevitably come to mind here. There is a puzzle at the heart of the performance of Jessica Chastain that asks the audience to decide whether or not we trust her or are willing to make a leap of faith. The film is so good because of this move. The movie lets the audience decide what they need to decide about her without getting in the way, right down to the last scenes.  

Bigelow is not big on lecturing to audiences and it shows with the film's single-mined focus on the action at hand. That focus comes to mirror the resolve of the agent.

1/2/13

Sound System Version 4


"Land of Tomorrow and the University of Kentucky Department of Art, in coordination with the Kentucky Museum of Art and Craft, are pleased to present Sound System Version 4, a sound collaboration between Christopher Cozier, Daniel Haun, Robin Foster, and Martin Raymond, with sound sequences by Ebony G.Patterson, Sheena Rose, Jomo Slusher, Sheldon Holder, Chantal Esdelle, Christian Campbell and Yvette Grey."

READ MORE AT Visual Matters HERE.

12/31/12

Film Review: 'The Hobbit' has a heart of darkness



The Hobbit is easily the best of the Lord of the Rings films. It's powerful and self-assured and I found it far more enjoyable than the previous two instalments. Perhaps what causes this is a combination of factors including: a more conscious effort to cultivate areas of ambiguity in the plot while keeping that plot elegantly focused; the sense that a mythic world is being powerfully reinforced; and knowledge of the events which are to unfold in the later movies and the resultant sense of dramatic irony bathing everything.

On the first point, consider the opening montage recalling the fall of the Dwarf city Erebor to the dragon Smaug, the key event that sets in train the action of the film. It is suggested that the timing of this event is linked to the discovery of a strange stone – called the Arkenstone – in the depths of the mines beneath the city. Like the titular rings of the series, the stone has an effect on whoever possesses it; the power represented in the inanimate object achieves a kind of physiological corruption. The causal connection between the stone and Smaug is never explicitly explained but the narrative seems to hinge on some unspoken force, suggesting a moral compass rather than stating it. As in a parable or myth, we are invited to wonder about the link between the physical and the moral: corruption of the soul (greed) appears to invite a physical attack on the city. In the end, the film never shows us Smaug overtaking the city. The entire sequence makes clear that he takes over Erebor without actually showing his face. What we do see are silent mountains of gold, hoarded by the Dwarves, glimmering, bringing fire and doom.

Then there is the matter of the 3-D which is something of a gift: giving us Gollum like we have never seen him before. Gollum was already creepy in 2-D CGI but to see his eyes glow after catching a sliver of light in 3-D is to better appreciate his animus.

Another aspect of the older films heightened in this movie is the use of the eagle as a kind of motif. As in the Return of the King, eagles arrive at a key point to save the day. They were seen on-screen briefly and almost indirectly in the last movie. Here, Peter Jackson gives us more time with them, to see them clearly against the sunlight, though they never take over the show as the Tiger does in Ang Lee’s Life of Pi. These eagles ask us to accept them as symbols. At the same time, and much like the Tiger in Life of Pi, they cut open the narrative and ask us to accept something more sublime and ambiguous than just an easy metaphor involving the role of the United States in World War II. Summoned by butterflies, these eagles are not political and want to inhabit a world of their own, flying above Middle Earth, unknown and unknowable to its inhabitants. A part of the story, they desire to remain free of its cage. They could represent technology, but in this world magic is already technology. They ask how the natural, supernatural and technological may be related, then fly away.  

There has been much discussion of The Hobbit’s high frame-rate, but this will not be a factor in most cinemas which are not equipped to play the new format (which supposedly renders a sharper image). Though it’s easy to say this film was nothing more than just another money-making opportunity for the producers, I found The Hobbit to be the justifiable foundation stone upon which all the other films are built. In this movie, there is the clear sense of being enmeshed in another world, a sense exquisitely heightened by the 3-D which – more than just being a means to justify a higher ticket price – allows greater room for differing textures of golden light and for a deeper immersion into that never-ending darkness Milton described in Samson Agonistes (“O dark, dark, dark, amid the blaze of noon / Irrecoverably dark, total eclipse”). The film, one of the best of the year, provides spell-binding sequences which linger in the mind. It is a majestic entertainment.

****

10/2/12

Eddie Bowen's San Souci


FROM THE ORGANISERS:

Medulla Art Gallery invites you to

PAINTINGS FROM THE MONASTERY
SANS SOUCI 2009-2012
by Edward Bowen

Opening Reception: Thursday 18th October 2012
7:00 pm – 9.00pm
at 37 Fitt Street, Woodbrook, Port of Spain.
RSVP 740 7597 medullaartgallery@gmail.com
Exhibition continues until Tuesday 13th November 2012

ABOUT THE SHOW:

This exhibition by Edward Bowen features selected works from an intensive three year residency and working period in Sans Souci. The presentation brings together dominant elements in the artist's working process illustrating a continuous effort to further develop a personal aesthetic in painting.

In the past years of a fiercely independent and frequently controversial career path, the work has been characterized by powerful drawing, radical content and innovative, original, colour sequences and combinations. This affirmed Bowen’s highly individualized and specialist position in local fine art practice.

On several occasions since the late eighties, Bowen has been a national representative at international art forums, an Express columnist, lectured for many years at the University of the West Indies, with a short stint with the University of Trinidad and Tobago in 2010 for the new fashion design programme. He is currently in private studio practice and consultancy, operating between studio locations in Sans Souci and Port of Spain.

10/1/12

***TONIGHT: Andrea Arnold's 'Wuthering Heights' @ TTFF


Don't miss a special roof-top screening of Andrea Arnold's Wuthering Heights tonight at the Carlton Savannah. Arnold's film is as bruised, powerful and relentless as the turmoil that engulfs Heathcliff and Catherine through generations in Bronte's novel. If the film side-steps some of the book's devices, it does so to serve a larger story which, for the first time on the screen in a fictional account, places race centre-stage. This is not just a period film about a bygone era, it is a brooding poem about the state of many things today. UNMISSABLE.

The film will also screen with Adam Low's fine documentary, A Regular Black. FIND out more about the screenings and the Trinidad and Tobago Film Festival (TTFF) here.

9/5/12

'I want to write poetry that is alive'



LORETTA COLLINS KLOBAH SAYS:

I want to write poetry that is alive, fresh, vibrant, contemporary in feeling, readable, thought-provoking, playfully subversive, powerful, and yet still tender. I want it to be full of the energy, culture, history, music, natural beauty, spirituality, and social struggles of Puerto Rico, and other islands of the Caribbean where I have visited or lived. The Twelve-Foot Neon Woman pulses with salsa, Latin jazz, reggaeton, bomba, the music of the trovadores, the cuatro, bachata, Kweyol rap, R&B, mento and the quadrille, rocksteady, roots reggae, and Ricky Martin’s pop music.

I have been writing poetry since primary school, because that is my way of processing life and engaging with the world. I don’t write love poetry, and I don’t rhyme. I write because I want to communicate with readers in a way that matters, makes an impact, or makes some kind of beneficial difference in the reader’s thoughts and in the society. Can poetry do that? I still believe in the power of the word.

Loretta has been nominated for the Felix Dennis Prize for best first collection in the Forward Prize. READ her own account of her craft - as recounted to me - at Caribbean Beat here.

Richard Rawlins 'Primary Property' @ Bohemia til Fri

Richard sends this message: "Show closing on Friday. Trust me yuh want to pass thru. 33 Murray Street, Port-of-Spain."

SEE more here.

9/3/12

'Mine is the poetry of the unpoetic'


Poetry is something I do; poems, things I make. Perhaps what I most enjoy is when something is done
when I’ve gone as far as I can, as far as my technique is capable of or as far as the material mysteriously lets me... Mine is the poetry of the unpoetic: everyday interaction, science, history…  Ordinary and specialist terms fuse. The poet distils, but also detects misuses of, language’s power.

VAHNI CAPILDEO interviewed by Zannab Sheik at I Don't Call Myself A Poet.

5 TT poets at Zocalo Poets



As the country marked its 50th anniversary of Independence, the Zocalo Poets website featured the work of five poets including: Mervyn TaylorVahni CapildeoColin RobinsonDanielle Boodoo-Fortune and Nicholas Laughlin. All of the posts also feature the work of artist Rodell Warner. (The image in this post is called Untitled (Kaleidoscope 1).)

8/30/12

****LIVE blogged: Trinidad & Tobago turns 50!


Like Cinderella, at the stroke of midnight Trinidad and Tobago will turn a new page. It will mark its 50th year as an independent nation, a milestone that is worthy of live blogging. Celebration "ground-zero" for this event will be Woodford Square, the normally quaint and picaresque park at the heart of the capital, Port-of-Spain. Tonight, the Square has exiled all its regular loafers and vagrants in exchange for burly security guards, curious on-lookers and acres of stage space. A gala cultural show is planned, the climax of which will be a re-enactment of the 1962 flag-raising ceremony. Stay tuned.

Scroll down to read how the night, which saw Machel Montano and many others perform, unfolded.

***

9.30pm: The festivities at Woodford Square at the heart of the capital started late, not surprisingly for a Trini event. For international audiences, I should inform you that Trinis are legendary for our lateness. For the organiser's sake I hope the programme does not lag too much because there is no way to push back midnight when the clocks will strike and the flag-raising re-enactment is due to take place...

9.40pm: A little more about tonight's programme. Firstly, there will be three parts: Prelude; Part II and Part III.

The Prelude was due to start at 5.30pm and wrap about an hour ago at 8.30pm. According to the programme, it was due to feature: pan, jazz, dance and "world music" (a term which the organisers apparently find fitting for Wendy Sheppard; Wendell Constantine and H20 flow). Many people are due to perform in this prelude and I think it's still going on...Is that De Fosto? Why yes it is. He is signing a tribute to TT's gold medallist in javelin, Keshorn Walcott. Lyrics include, "You get house, you get land....de Toco golden boy!"

Part II will be a flag-raising ceremony, re-creating that moment in 1962 when the Union Jack was brought down and the new TT flag raised.

Part III will see a fireworks display. And Machel Montano.

You can read the full programme at the website of the Ministry of Planning and Development (note the name of this ministry) if you click this link here.

9.50pm: TV host Paul Richards, live on C TV, just described the show as a "cultural extravaganza". He reports a "massive crowd" at Woodford Square. Ruskin Mark, sports reporter, however reports that he is surprised that things are not as crowded as he expected.

9.53pm: The Minister of Planning Dr Bhoe Tewarie is addressing the crowd.

Tewarie delivers a speech which includes the following remarks:
Ladies and gentlemen I came here very early and took a look at what you were doing and how you were responding and looked at your faces on the screen because the camera was capturing it and I realised that you, my people, are the salt of the earth. This country would be nothing without you. Give yourself a round of applause! Tonight is not a night for talk, many of my Cabinet colleagues are here. All I want to say to you is thank you for coming. You are one of 1.3 million people of this world who have been born on this island. Cherish that as a gift from your maker. Let that be an indication of how important you are.

9.58pm: Dance interlude. The dancer wears red, white and black - the national colours. There is drumming.  He removes a white scarf (it gets chilly in the Square at night?). Wait- the scarf is really a sleeve. This is kinda cool. He's like the dervish. Without the dramatic spinning. His name is Juan Pablo Dennis, the announcer says after he finishes and leaves the stage. Apparently it was supposed to be "a Chinese classical dance".

10.08pm: Lord Relator performing. Lyrics are R-rated so will not repeat them here. Let's just say will not look at kaser balls or paimee the same way again. Paul Richard remarks: "he has perfect pitch, perfect rhythm". Ruskin Mark remarks: "he's so well versed".

10.13pm: 'I Love My Country' is performed by a young calypso star Jeromy Rodriguez.

Over on Twitter, Njisane Phillip says he will be going on CNC3 live in 2 minutes.

10.20pm: Woa it's actually the Mighty Trini! This is bringing back hazy memories of my childhood during the George Chambers years. Lyrics (by Merchant) include "If Trinidad was a boat I go sail on it. We are going to keep this boat sailing!" and "ah sailing with the boat sink or float". The flag posse in the front of the stage goin' wild! You have to give it to Mighty Trini, he's always had charm and charisma....loads more than a lot of the soca acts these days.

Tracy Assing on Twitter remarks:
 everyone is trying to make a red, white and black fashion statement. Mighty Trini in a "Plummer-esque" jacket
10.29pm: Getting a sense of a building crowd. One of my scantily-clad agents in the Square reports: "It's loud and the crowd is big". They go wild for Baron! Tommy Joseph comes on to introduce Joseph Adams singing Lord Brynner's classic 'Trinidad and Tobago Independence' (which is not an easy calypso sing by any standard).

10.38pm: A lot of chatter out there about "off" notes and who's singing flat. To the critics I say: you go out there and perform in the square, then we go talk!

10.39pm: Ras Commander mounts the stage. "Is 50 an yuh lookin good!" Next is King Austin singing 'Progress'.

11.07pm: My source in the crowd reports: "the Square looks wonderful. It's a nice arrangement. There are two stages. The crowd is good. I just saw Njisane and Keshorn!"

Here are a few blurry photos from the Square as well:




Ruskin Mark says, "It's the middle of the night but it feels like the middle of the day here."

11.23pm: It's fast approaching the midnight hour and, well, a really long song, primarily with the lyric, "Trinidad", is wrapping up now...that was the "jazz" segment of the "Prelude" apparently. 

Paul Richards reports that the Prime Minister Kamla Persad-Bissessar's car has arrived. Part II, involving speeches by the Prime Minister and President George Maxwell-Richards is due to begin at 11.45pm. 

A fella is singing on the stage. Have no idea who he is.

11.28pm: Meanwhile, tonight's events in the square are running parallel to the PNM's own event at Balisier House. Rhoda Bharath, at that location, on her Facebook page remarks of the events there :
I have been to livelier funerals... The person responsible for the creative direction of this programme should be horsewhipped.
Ouch Rhoda. Maybe there should have been teamwork and one bigger, better show would have resulted? We will never know. Maybe at the 100th anniversary.

11.31pm: Back at Woodford Square, some persons dressed as members of the Coast Guard, in smart uniforms, are now being marshalled into the Square. We are preparing now for the re-enactment of the flag-raising. Part II begins.

Apparently there are actors for all the "characters" of the original.There is a mock Eric Williams, even a mock Princess Royal. When they said re-enactment, I thought it was going to be simple. Didn't expect them to go all out! The organisers have even ensured that all the members of the British Navy are portrayed by only white white actors.

There are two flag poles near the centre of the square, just off the fountain. The mood now is of a panto.

The Union Jack is raised and then abruptly falls. Paul Richards, "I wonder if that was part of the plan?" Mark Ruskin, "I suppose the Union Jack does not want to go up".

Several smartly dressed "guests" also arrive. The "Eric Williams" character is actually a good likeness, and they got Sir Solomon Hochoy's glasses just right! Not sure about the crown of the Princess Royal.

In enters Persad-Bissessar (in a bit of time-travel apparently) who is handed the national flag. She hands it over to the TT Regiment, "holders of the highest Order of Trinidad and Tobago" the narrator on the scene says.

The Union Jack is lowered (well stayed lowered after falling earlier).

The TT flag is attached to its pole. There is a very long delay.

11.50pm: The announcer then says, "we wait til midnight to hoist the flag". Oh God! someone in the audience shouts. Am hoping my clock is wrong. "They are well ahead of schedule in terms of where they need to be right now," Ruskin Mark says. Paul Richards says that "according to protocol" the flag cannot be raised before midnight. One wonders about this, as it is impossible to not raise the flag before midnight, it being a point in time...

11.55pm: The flag is hoisted at last! The crowd cheers, the National Anthem plays, one person sings! Cheers! The flag sways gently, not much breeze in the Square. Unable to lift itself, it looks, desolately, to the sky. A representative from the IRO prays:
We pray for the victims of crime and the delinquent. We remember and ask your blessings for our Ancestors who toiled endlessly. Thank you dear Lord let you light always shine on Trinidad and Tobago
August 31,
12am: Independence Day!

12.03am: The pageantry continues as the "Princess Royal" actually reads the original speech read at the opening of the First Parliament. A snippet:
My Government no longer has any responsibility for this country. My Government wishes to maintain the bonds of friendship which have existed for over 150 years. Small in numbers though the population may be it constitutes a microcosm of the larger world. Here every creed and race find and equal place.
Now, "Dr Williams". The actor is good, but there have been better imitations of Dr Williams and his peculiar style. He has a good intonation though, suggesting Williams as opposed to channelling him.

Now the "Leader of the Opposition" Dr Capildeo. The actor looks and sounds absolutely nothing like the original. This is "method acting" in the extreme, dear readers.

Jesus Christ! Just got a close-up of "Sir Solomon Hochoy"'s awful hair!

12.12am: Okay that very awkward part is over. Now Mavis John comes on to sing 'God Bless Our Nation'. She says, "I was here 50 years ago. And I hope to have another 50 years." The crowd starts to sway. This version of the song has been spruced up with some sitar and tassa and keyboard. Mavis John looks lovely, in a beautiful wine-coloured dress.

On a side note, I've never thought 'God Bless Our Nation' would have made a better anthem. I find the current anthem is actually very distinctive, dramatic and rousing, grammatical ambiguities and all.

12.21am: Speech time folks! The Prime Minister comes on to Benjai's 'Trini'. Flags are being handed out in the square, Paul remarks. Apparently, Machel has been spotted backstage.

The Prime Minister's remarks include:
I greet and welcome you this evening with a very profound sense of honour to be the one destiny has chosen to herald this moment in history....On this day the father of the nation Dr Eric Williams stood right here. We were declaring that we were captains of our own ship of state.Tonight let us pay tribute to the founding father or our nation Dr Eric Williams. Let us pay tribute to the first Leader of the Opposition Dr Rudranath Capildeo...
You can read the full speech, when they post it, here.

The Prime Minister calls on Keshorn Walcott just before closing her 12-minute speech with, "May God continue to bless each and everyone of you! The great nation that is Trinidad and Tobago. Thank you, God bless!"

12.34am: The President addresses the crowd. His remarks include:

Tonight’s event generates excitement, as it should. The occasion is as solemn, as it is pulsating. But euphoria must not be allowed to cloud sober reflection, as reality will not go away. We need to ask ourselves whether we are living up to the expectations of our freedom fighters, who did battle, not with guns, but with intellectual prowess, artisan skills, artistic brilliance, sport and diplomatic savoir faire to secure our place among the family of independent Nations.

The speech is about 15 minutes long. You may read the full text, when they post it, here.

12.50am: Fireworks above the Square!


1.01am: The Independence Monarch, Chucky, performs to a bored crowd. I think somebody throws something on-stage. The DJ says "make some noise for the President of Trinidad and Tobago!" And now, its Machel Montano HD.

Some techno/house beats start pulsing. This is kinda groovy, "Represent! Represent! it's one love! Put yuh hand in a d air and jump! Anybody from Trinidad? Anybody from Barbados? Let me see your hand!" Flags real moving.

Machel wears an all-red jacket, red cap and red shoes, black jeans, red bow tie. At one point, he brings on Neeval, former Digicel Rising Star. Some interesting interplay between genres there. They jump up arm-in-arm, and their voices actually blend well. Could a new boy-band be in the making? Maybe KI -who later comes on stage to render the haunting song 'Single Forever' - would also be a great member to add to the consortium. The crowd though looks a bit stony.

Soon the red jacket disappears dramatically, it's white shirt only. Machel performs 'One More Time' and I wonder if the barricade by the stage will hold up. Droopatie joins him as well! And Benjai! Benjai steals the show with his 'Trini'. Even Machel declares the song to be the anthem of TT's 50th anniversary. Benjai puts on a sparkling performance, too.

The same cannot be said for Farmer Nappy who comes on to sing 'Surrender (Your Batty)' in the tightest pair of red and black plaid trousers seen on the planet. It looks painful, but he has no difficulty prancing around. Things go back into equilibrium when Patrice Roberts, who is so perfect it hurts, comes on. [NOTE: Iwer George, one of many people said to be at odds with Machel, also performed with him in a moment of unity which contrasted with our politicians.]

Reader, the culture overwhelms. It is a huge wake-up! And a fitting end. Now, at 50, let us slip out into the night. Age is but a number.