|Poet Laureate Paul Keens-Douglas|
Those were the days of Black Power and that’s when The Last Poets and the black poets were all streaming and then again I was influenced by that. That’s the first time you are hearing this type of poetry and from Canada I went to Jamaica and there I heard Louise Bennett now doing her dialect and pushing this nation language and it was right there on campus, that I decided that I should try my hand after hearing Louise, try my hand at writing dialect poetry and I wrote that first piece: 'The Band Passing' and since that time I have never gone back to writing Standard English. I mean I still write Standard English. But when I discovered the power of the poetry, when I saw how it moved people in the audience, the local poetry particularly, the response blew me. I thought, you know, this is wonderful because you became a pioneer then, in those days, because there was nobody else to follow. You wrote your poem and you want to sing, you just sing, you want to dance, you dance your poem, you want to put it upside down, you put it upside down. You were in charge of your poem. There was no structure that you had to follow, whereas in the Literature Department you had all these Literary Terms and what is Literature and what is Poetry. Did away with all of that and said listen I am writing for the people. Let them be my audience.
- Poet Laureate Paul Keens-Douglas recalls how he started writing poetry in the inaugural Poet Laureate of Trinidad and Tobago podcast posted over at the Circle of Poets website. LISTEN here.