art in all its forms

art in all its forms

7/11/10

GALLERY: Colour and emotion at the Hirschhorn, Wash DC

Paul Sharits, Shutter Interface (1975)

Jesus Rafael Soto, Two Volumes in the Virtual (1968)
Sol LeWitt, Wall Drawing #356 BB: Cube without a cube (2003)
Guido van der Werve,  Nummer Negen (#9) the day I didn't turn with the world (2007)
Ellworth Kelly,  Red Yellow Blue V (1968)
Andy Warhol, Self Portrait (1962)
Andy Warhol's Marilyn Monroe's Lips (1962)
Wolfgang Laib, Pollen from Hazelnut (1998-2000)
Fred Sandback Untitled Sculptural Study, Twelve-Part Vertical Construction) (1990)

READ more here.

7/8/10

In Dallas, a surprise gem

The nightlife was crap. If you didn't have a car, you couldn't go anywhere. Sounds familiar? Believe me, it's not. The soulless boredom of Dallas has a special quality. But if you manage to step out of your soporific stupor and find yourself near the Dallas Arts District, head straight for the Dallas Museum of Art, which is where I found myself one hot and dusty afternoon. 

On show at the time in the main hall was an incredible retrospective of the work of Belgian painter Luc Tuymans, one of my all-time favorites. There were 72 paintings, including Tuyman's portrait of former US Secretary of State Condoleeza Rice: 
Luc Tuymans, The Secretary of State, 2005, oil on canvas.


Also on display, for the first time ever, was rare video film footage produced by Tuymans during the brief period when he gave up painting and focused only on film in the 1980s. The footage was fascinating, but more so because of the insight it gave into Tuymans process, which often involves processing film images and stills.
Detail from Tuyman's Die Zeit, 1988.

But apart from the temporary Tuymans show, the DMA also boasted a robust permanent collection, including several important pieces well worth the visit.

Renee Magrite's The Light of Coincidences (1933) and Jean Arp's Classical Sculpture (1966).


Naum Gabo, Constructed Head No. 2 (1916).
READ more here.

A Rem Koolhaas in Texas

Rem Koolhaas's OMA Dee and Charles Wyly Theater shines in the spanking new at the Dallas Arts District. Photos by Andre Bagoo.

It looks like a box made of bamboo. Or PVC pipes. Or steel tubes. Square gashes mark its sides. An external elevator whizzes past strange windows that leave a faded smear on the face of the building. And that's just the outside, which is all I got on a recent trip to Dallas.

This post is one of a series being posted by PLEASURE on my recent trip to the US. READ more here. WATCH a video somebody did of the Dallas Arts District here.

7/6/10

Cropper Writers' Workshop reading @ Alice Yard

Alice Yard Space, Woodbrook. Photo courtesy Georgia Popplewell.

This Friday, the participants of the Cropper's Writer's Workshop will read at Alice Yard, Woodbrook. Among the participants in this year's workshop are Alake Pilgrim, PLEASURE blogger Andre Bagoo, Colin Robinson and many more. FIND out more here. READ more about the Cropper Foundation here.

7/4/10

On Tour: Art dispatches from America

Detail from Jasper Johns' American Flag photographed at the MoMA, NY.

In the course of my international espionage work, I recently paid a visit to a few American cities. And today, just in time to commemorate American Independence Day (July 4), PLEASURE launches a series of posts on a few art spots I managed to check out, in cahoots with fellow PLEASURE blogger Jeanette Awai, while in the United States of America.

First up, a visit to a show at the Bowery, New York, featuring the work of Trinidadian photographer Gerard Gaskin. And then, photo galleries of trips to the MoMA,Guggenheim and elsewhere.

READ post on Gaskin in New York here. SEE photos from MoMA, Guggenheim here.

Gerard Gaskin photographs in New York

THE SIGN outside of the church on East 7th Street, New York,says, "House of Ninja discussion panel, 6pm". The church, called Middlechurch and in a district called the Bowery, is clearly not your run-of-the-mill evangelical congregation. I go in.

I feel like I'm a boy again and about to attend an altar-boy meeting at my local Catholic church. My fellow blogger, Jeanette, asks, "where is this exhibition supposed to be again? Let's ask someone cute." Sound advice can always be sourced from my fellow blogger Jeanette. After a few peregrinations, we stumble, as though engaging in some clandestine spiritual intrigue, into a room behind the rainbow-draped alter.
The subjects of Gerard Gaskin's photographs have an intensity that is compelling. A few of them are on display here, some of them side by side with drawings done by Milton Ninja.
Jeanette looks at stuff

After checking out the photographs, we head back to the church where the Ninja lecture is going on. Ninja--for those who do not know-- is a secretive gay martial arts sect skilled in the art of assassination. Kidding! It's an underground GLBT ballroom movement. We took in some fascinating demonstrations of the art of "voguing" (which started on the NY underground before being copied by Madonna) done by this guy:



 Then, we went for drinks. New York.

GALLERY: Outside Guggenheim, inside MoMA

1. Outside the Guggenheim.
2. Inside Guggenheim;
 MoMA: 
3. Jasper Johns, Map (1960);
4. Andy Warhol's Gold Marilyn Monroe (1962);
5. Kara Walker, Gone: An Historical Romance of a Civil War as It Occurred b'tween the Dusky Thighs of One Young Negress and Her Heart (1994);
6. Andy Warhol's Campbell's Soup Cans (1962);
7. Bruce Nauman, Perfect Door/Perefect Odor/Perfect Rodo (1972); 
8. Robert Smithson Alogon #2 (1966).

6/29/10

Draconian Switch 12!

The latest issue of the Trinidad and Tobago arts zine Draconian Switch is out! It features stuff from Robert Young, 3 Canal, Richard Rawlins, Rodell Warner, Nigel Rojas, Jemima Charles and a review of Dwight Campbell's I Febreezed My Dog  by your trusty PLEASURE blogger Andre Bagoo. READ it here.

6/3/10

Rapso reunion at Club Ibiza


FROM THE ORGANISERS:


WATERSHED: THE KISKADEE ERA OF MUSIC REVISITED AT CLUB IBIZA

On Mon 7th June 2010 the public is invited to WATERSHED- a celebration of the sounds from the Kiskadee era at Club Ibiza, Tragerete Road from 9- 11.30pm. Performing will be Omari' Kindred' Ashby, Rubadiri 'Chantwell' Victor, with Ozy ‘Homefront’ Majiq & others capping off a Rapsomen reunion from the 90s. The group will be taking a ride down memory lane remembering that period from 1991- 1995 which was a mini-Golden Age in T&T culture where young music, fashion & creativity blossomed & changed the course of T&T's history. The night is a celebration of live music, Dj-ing, dancing & memory.

Live music will be played with unplugged sets by Omari Ashby formerly one half of pioneer Rapso group Kindred. Omari has a new band called Soul Quarters which also features Shannon Bailey, son of the Grand Wizard himself- the Mighty Shadow. Kindred was at one time the biggest group in Trinidad and Tobago, ruling the roost with hits like ‘This Trini Could Flow’, ‘Dance’, ‘Can U Tek it, ‘Blow Way’ and ‘Freedom Jam’. They were pioneers of an indigenous Rapso sound that did not try to imitate Jamaican Dancehall, American Hip Hop or any other foreign source. It was a declaration of faith in ‘Self’ that started a renaissance in original music by young Trinidad and Tobago throughout the 90s.

Ozy Majiq formerly of Homefront was also part of that revolution with the great Rapso ballad ‘Give Yourself a Chance’ and the monster hit ‘Rollin’ which revolutionized Soca and music for the road. Both Kindred and Homefront were part of the historic investment in local culture by businessman Robert Amar which saw the creation of Caribbean Sound Basin (CSB)- one of the 3 greatest recording studios in the world. CSB was also the place where Puff Daddy recorded most of Notorious BIG’s biggest hits. Amar’s creation of the Kiskadee Karavan made local youth music bigger than foreign imports. For 3 years the biggest hits in T&T were local,  with tens of thousands of young people mid-year filling up stadiums to here all-local music outside of Carnival.

Rubadiri Victor’s band Chantwell also contributed to this mini-Renaissance with his bands massive hit and video ‘Clear de Way’ which was produced independent of the Kiskadee Karavan.  Chantwell’s success outside of Amar inspired many musicians to have faith in independent productions. All 3 Rapso musicians and bandleaders for the WATERSHED event have remained committed to original Trinbago music with an indigenous sound and have continued writing dozens of songs. The public is now invited to hear some of this new material alongside re-interpretations of the classics.

The evening will also be one of Memory- whereby the crew will be reminiscing about that seminal period in T&T culture. They will talk about a time when local youths were wearing local design labels like The Cloth and First Chapter Adam which were valued more than foreign labels. They will talk about ‘Party Time’. It was a period of youth blossoming that hopefully this country will see again.

The night will be capped off by the brilliant DJ stylings of Ozy with his Flying Galvanise DJ label which spins the most eclectic and danceable grooves being played in T&T at present. The WATERSHED session is about dancing and enjoying yourself. Come one and come all: Monday 7th June 2010, Club Ibiza, Tragerete Road- obliquely opposite the Oval going west 9pm until 11.30. Admission is only $40. CDs, magazines, t-shirts and memorabilia on sale!!! Call 797-0949 for more details.

Upon these houses I have slept

Detail from Upon these houses I have slept, Liquid paper, ink and acrylic on paper.

"WHAT the hell is that?" my sister asks. "It looks like a map." Perhaps. She was talking about a painting I just started on a whim today. I was thinking about a conversation I had recently about the nature of art and what makes art 'Art', and decided to just stop thinking, start drinking and then paint something to test the idea that anybody, at any moment, can create something which expresses one of the, arguably, fundamental functions of art: to foster self-expression; reveal, reflect and create emotion.

Who knows what this expresses, but I'm pleased to think I did something creative today after a long spell of nothing but work, work, work.

As a side note, dear PLEASURE readers, I should announce that I shall be, over the coming weeks, embarking on something of a tour of the US and hope to keep a diary of my time there, here, in this space. Stay tuned. Meanwhile, perhaps you guys can help me figure out what this latest doodling is all about :)


Oh and for fun, here is what my nephew, Luke, 6, did while I was doodling:

Bach Harpsichord Concerto No.3 in D major



Am seriously crushing on this right now.

6/1/10

Heino Schmid, maker of exquisite collages and more, talks @ Alice Yard

From I Spend My Time Humming (2009)

The amazing Bahamian artist Heino Schmid is in Trinidad. READ more below.


FROM THE ORGANISERS:

Alice Yard is currently hosting its second Commonwealth artist-in-residence: Heino Schmid from the Bahamas. He is a 2009 recipient of the Commonwealth Foundation’s Commonwealth Connections international arts residency, and has chosen to use his award grant to visit and work in Trinidad.

On Friday 4 June, 2010, at 7.30 pm, Schmid will give an informal talk at Alice Yard about his previous work and his interest in Trinidad. This is an opportunity for artists and others to meet him and learn about the contemporary art scene in the Bahamas. All are invited.

About the artist:

Heino Schmid was born in 1976 in Nassau, the Bahamas. In addition to his own practice, he is adjunct lecturer for the School of Communication and Creative Arts at the College of the Bahamas; curator of the Central Bank of the Bahamas Art Gallery; and exhibitions director of Popopstudios Centre for the Visual Arts, a non-profit artists’ co-op where he also holds a studio. Schmid will be living and working at Alice Yard until September. For further information, visit his website: www.heinoschmid.com.






VISIT the Alice Yard website here.